One thing Ears To The House frequently points out is something most journalists in dance music know and will even admit publicly from time to time, but it will never appear in the hallowed...
A while ago now, your favourite blog spoke about Beatport Link. There appears to be money to be made in streaming – certainly not for the artists, but plenty for the labels and plenty...
In the dying days of 2020, DJ Sneak posted a few musings on his social media pages. The pandemic had given him time to think, and he’d decided he would be doing things differently...
Someone somewhere is benefitting from streaming. But whom? It’s certainly not the artists whose music is on such services. They’re being paid a pittance for the use of their work. And it’s not even...
A few weeks ago, the garage house crew were happy. Traxsource had finally given garage its own category on their site after a campaign which has been on and off for the past three...
On December 29th last year, DJ Sneak decided to make a few changes to the way he did business. And one of those was to declare his music would be coming down from digital...
Oh, what a difference a week makes. Last weekend, Greek producer T Markakis ranted online – making allegations that record label Glasgow Underground hadn’t paid him for his most recent release. Label boss Kevin...
This blog has been doing a public service at the request of its readers over the past few months – although I suspect the protagonist here would prefer I didn’t. I’ve been keeping an...
A few weeks ago, DJ Sneak announced that he was having his music pulled from the digital stores. This was all done in a wave of publicity in the way only Sneak can do....
I’ve seen a few people over the past few days talking about the way that genres are classified on the likes of Traxsource, Beatport and probably elsewhere. Typically, they find it a complete mystery...